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| First interpretation: Mold signed fragment.
Broken at left and chipped along outer edge at top.
Preserved is a male figure, bearded and partly draped, reclining on a couch and playing the double flutes, ... 27 March 1939 |
| Fragment from mold for upper left corner of high relief; depressed frame.
Relief widens towards bottom of fragment.
In the positive, upper front part of head in profile left; above it a thyrsos, horizontally, ... 1949 |
| Nude male figure.
Mended from six fragments. Head and arms missing; with holes for attachment; lower legs missing, and large part from left side.
Traces of white.
Buff clay.
ADENDA Cf. Delos IV, pp. 26 ... 1949 |
| Small fragment with finished edge at back; front surface marked with two holes punched part way through the clay.
No traces of paint.
Pinkish clay, buff at core. Well. 2197 ff. Leica ... June 1949 |
| From one side of a heavy mould, apparently from a plaque of shallow relief, with the curving rim of the mold preserved. Byzantine fill at S.E. corner of section. Leica ... 30 April 1947 |
| Mold for bearded head (Pan?)with shaggy hair.
Chip missing at right.
Green-buff clay.
Cf. Fuchs (1963), Mahdia, pl. 53. ΜΣΤ-ΜΖ*
C 17 Great Drain; gravel below elliptical drain tiles. 411 Leica ... 8 May 1947 |
| The hair is drawn up into a bow-knot on the top of the head (or is this actually a bow?), and is gathered at the back in a plain projecting .
Earrings. Hair indicated by straight and crosswise grooves ... 15 July 1947 |
| The hair piled high.
Gouged style.
Broken across the neck; the back of the head broken away about on the line of the mould.
No color.
Micaceous red clay. Late Roman destruction fill. Leica ... 14 July 1947 |
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