|
|
| First interpretation: Mold signed fragment.
Broken at left and chipped along outer edge at top.
Preserved is a male figure, bearded and partly draped, reclining on a couch and playing the double flutes, ... 27 March 1939 |
| Fragment from mold for upper left corner of high relief; depressed frame.
Relief widens towards bottom of fragment.
In the positive, upper front part of head in profile left; above it a thyrsos, horizontally, ... 1949 |
| Nude male figure.
Mended from six fragments. Head and arms missing; with holes for attachment; lower legs missing, and large part from left side.
Traces of white.
Buff clay.
ADENDA Cf. Delos IV, pp. 26 ... 1949 |
| Several joining fragments preserve the lower part of a figurine showing a draped figure seated in a large chair or throne. The left hand rests on the arm of the throne; the drapery falls straight to the ... 11 July 1947 |
| The hair piled high.
Gouged style.
Broken across the neck; the back of the head broken away about on the line of the mould.
No color.
Micaceous red clay. Late Roman destruction fill. Leica ... 14 July 1947 |
| Elongated head with high bald brow; trace of hair, or a wreath at the top. Small pointed ears, somewhat exaggerated features.
Broken off below the chin, and the back missing. Surface chipped on forehead ... 15 July 1947 |
| Fragment preserving upper part of face.
Beetling brows; nose and mouth askew; pierced eyes.
Considerable remains of white, with red over.
Smooth blond-buff clay. N.-S. Trench VI; Late Roman fill. 510 Leica, ... 21 July 1947 |
| Part of a standing female figure on a large scale.
Much of the front preserved from knee to shoulders.
The figure wears chiton and himation, the cloak wrapped close around her body to the hips and covering ... 14 April 1949 |
|
|
