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Mended with small missing pieces restored in plaster and painted. Lip offset on inside; foot offset on underside. Glaze slightly abraded on handles. H. 0.074; diam. of rim 0.18; W. with handles 0.238; ... Ca. 510-500 B.C ... Beazley accepted the attribution but with some hesitation (see especially The Berlin Painter [Melbourne 1964], pp. 1, 12, 13); yet he included the cup among the painter's works in both ARV2 (1963) and Paralip. (1971). Here the question of the cup's painter rested until 1979, when Carol Cardon withdrew the cup from the oeuvre of the Berlin Painter, connected it with Phintias' workshop, and proposed to call the artist the Gorgos Painter (AJA 83, 1979, pp. 169--173). ... In 1981 Gloria Pinney (AJA 85, 1981, pp. 145--158) accepted unquestioningly the attribution of the Gorgos cup to the Berlin Painter (p. 153). |
| Addenda and Corrigenda, p. 1135 to ARV1 80-81. Addenda and Corrigenda, p. 1135 to ARV¹ 80-81. Well. ARV² 135 [a]. Addenda 177. ARV² 133, 10-11. ARV² 133, 9. Pottery and Glass (November 1954), p. 349. H.A ... Agora 30 317 P 9281 P 24113 M 17:4 Q 12:3 ... 510-500 B.C ... Robertson, AJA 62, 1958, pls. 6, 7, figs 1-5 ... Cardon, AJA 83, 1979, pls. 22:1, 23:4, 5, 24:8, 25:12 ... The Berlin Painter (Melbourne 1964), pp. 1, 12, 13 |
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