|
|
| ARV² 536, 1. Paralip. 384, 1. Addenda 255. ARV² 206, 129-130. Addenda 194. Pit. Fill. Prange, Niobidenmaler, p. 216, cat. no. G 57, pl. 21. Schleiffenbaum, Volutenkrater, p. 324, cat. no. V 203. ARV² 599, ... Agora 30 173 P 19174 P 23202 P 24784 P 6857 P 7586 P 26550 P 19152 C 18:7 M-N 15:1 C 14:7 C 18:4 ... 460-450 B.C ... Paralip. 384, 1 ... Paralip. 394, 1 ... Paralip. 480, 1 |
Fragment of cul with start of handle at far right. Glaze much pitted. Max. dim. 0.087.
Chain of double lotuses and encircled palmettes.
For this pattern on the culs of other calyx-kraters, see 270 ... Ca. 450 B.C ... PEM 7, pl. 153); also on the necks of these volute kraters, only there and on Ferrara 2892 = T.300), the lines serve to separate long fronds from short petals: Ferrara 2739 = T.749 by the Boreas Painter (ARV2 536, 1; Paralip. 384, 1; Addenda 255; CVA, Ferrara 1 [Italia 37], pl. 5 [1649]:3); two by the Niobid Painter: Bologna 268 (ARV2 598, 1; Paralip. 394, 1; Addenda 265; Prange, Niobidenmaler, p. 180, cat. no. N 1) and Ferrara 2652 = T.740 (ARV2 599, 6; Paralip. 394, 6; Addenda 266; CVA, Ferrara 1, [Italia 37], pl. 7 [1651]:1; Prange, p. 181, cat. no. ... GN 62); and Ferrara 45685 = T.19 C VP by the Chicago Painter (ARV2 628, 1; Paralip. 399, 1; Addenda 272). |
| ARV² 14, 2. Paralip. 322, 2. Addenda 152. Euphronios, cat. no. 3. Denoyelle, Chefs-d'oeuvre-Louvre, pp. 104-105, cat. no. 47. E. Vanderpool, Hesperia 15, 1946, p. 286, pl. 36. M. Farnsworth, Archaeology ... Agora 30 179 P 4811 P 3445 P 23207 P 23137 P 19175 P 9438 P 24867 P 27718 C 18:7 C 9:6 ... 460 B.C ... Paralip. 398, 1 ... Paralip. 443, 1 ... Paralip. 384, 1 |
Rim and neck fragment. Edge of rim chipped. Max. dim. 0.09. Schleiffenbaum, Volutenkrater, p. 325, cat. no. V 207.
Symposion. On the right, the top of the filleted head of a symposiast reclining to left ... Ca. 460-450 B.C ... The small amount of the symposion that remains bears some resemblance to that on the neck of the volute-krater that is the namepiece of the Boreas Painter, which also has the key pattern to right on the side of the rim (Ferrara 2739 = T.749: ARV2 536, 1; Paralip. 384, 1; Addenda 255). |
| F. Hitzl, Die Entstehung und Entwicklung des Volutenkraters von den frühesten Anfängen bis zur Ausprägung des kanonischen Stils in der attisch schwarzfigurigen Vasenmalerei, Frankfurtam-Main 1982[Archäologische ... Agora 30 24 ... ARV² 536, 1 ... Paralip. 384, 1 ... Paralip. 395, 13 |
| Early Classical Painters of Large Pots; The Pan Painter. AK 19, 1976, pl. 15. Addenda 256. Esposito and de Tommaso, Vasi attici, p. 63, fig. 96. B. Ashmole, Architect and Sculptor in Classical Greece, ... Agora 30 105 P 30013 P 30014 ... Paralip. 384 ... Paralip. 384, 4 ... Paralip. 386, 1 |
| ARV² 221, 15. ARV² 222, 19. ARV² 222, 25. ARV² 223, 6. Paralip. 346, 6. fig. 13. Cistern. Langbridge, Eucharides Painter, p. 448, cat. no. K 3. Pit. W.B. Dinsmoor, Hesperia Suppl. 5, [. 134, fig. 61:13 ... Agora 30 170 P 17462 P 358 P 8533 G 5:1 C 9:6 ... 500-490 B.C ... Paralip. 346, 6 ... ARV² 290, 1 ... Paralip. 355, 1 |
| ARV² 1154, 38. JdI 102, 1987, p. 69, fig. 5. Matheson, Polygnotos, p. 389, cat. no. D 43. ARV² 540, 4. Addenda 256. Scheiber, JdI 102, 1987, pp. 57-118, p. 75. ARV² 511, 5. Paralip. 382, 5. Addenda 252 ... Agora 30 136 P 3032 P 12374 P 21403 P 7912 P 26249 P 23834 P 27777 H 12:6 N 7:3 E 6:3 Q 15:2 ... 440-430 B.C ... Paralip. 382, 5 ... ARV² 536, 1 ... Paralip. 384, 1 |
| Early Classical Painters of Large Pots; Other Early Classical Painters of Large Pots. Robertson, HGA, p. 252. ARV2 501-503. Paralip. 381. Addenda 151. ARV² 485, 23 and 1655. Addenda 248. ARV² 504, 8. Paralip ... Agora 30 104 P 30017 P 30019 P 30065 P 30134 ... Paralip. 381 ... Paralip. 381, 8 ... Paralip. 383-384 |
| One-Piece Amphorae; Scheme of Decoration Uncertain. Shape Studies. One-Piece Amphorae. One-Piece Amphorae; Type A. One-Piece Amphorae; Type B. One-Piece Amphorae; Type C. Beazley, JHS 42, 1922, pp. 70-71 ... Agora 23 4 ... Paralip. 48, II, 6 ... Paralip. 60, 13 ... Paralip. 128, 1 |
| I. McPhee, Hesperia 52, 1983, pl. 33:1. ARV² 1322, 16. Burn, 106, cat. no. MM 26. ARV² 1328, 100. LIMC II, 1984, p. 97, no. 919, pl. 91, s.v. Aphrodite. A. Delivorias, LIMC II, 1984, pp. 96-98, s.v. Aphrodite ... Agora 30 198 P 6555 P 19998 P 21535 P 15057 P 21358 P 12640 P 15133 D 17:9 P 8:2 N 21:2 P 7:8 O 19:4 G 18:1 ... 420 B.C. |
| ARV² 1145, 36. Paralip. 456, 36. Addenda 335. Matheson, Polygnotos, p. 382, cat. no. D 8, pl. 170. Matheson, Polygnotos, p. 414, cat. no. KL 42, pl. 124. ARV² 1153, 17. Addenda 336. Matheson, Polygnotos, ... Agora 30 120 ... Paralip. 456, 36 ... ARV² 1151, 1 ... Paralip. 457, 1 |
| Panathenaic Amphorae; Prize Vases. Fill. J. Brandt, Acta Norvegiae 8, 1978, pl. 12:a. J. Brandt, Acta Norvegiae 8, 1978, pl. 12:b. Well. Other. J. Brandt, Acta Norvegiae 8, 1978, pl. 12:c. Painter of Boulogne ... Agora 23 133 P 24781 P 3858 P 13846 P 28081 P 3083 P 27074 P 19999 P 20111 P 19585 P 774 P 20236 P 18349 P 13766 G 11:5 U 25:2 N 10:1 D 17:9 A 18-19:1 V 24:2 ... 3rd quarter of 6th B.C ... ABV 290, -, 1 ... AAA 2, 1969, p. 384, fig. 5 ... Paralip. 156, 7 bis |
| Trefoil Olpai. Paralip. 192. Oinochoai; Olpai; Trefoil Mouth. Other. E. Vanderpool, Hesperia 7, 1938, pp. 381-384, no. 14, figs. 18-20 and p. 387, fig. 23. S. Karouzou, Amasis Painter, p. 41. M. Cremer, ... Agora 23 189 P 24942 P 1227 P 2700 P 1263 P 24673 P 26540 G 6:3 R 12:4 T 18:4 ... 550 B.C ... Paralip. 192 ... Paralip. 64, 31 bis ... Paralip. 196, 1 ter |
| ARV² 906, 109. Addenda 303. ARV² 906, 116. Well. ARV² 917, 202. Addenda 304. ARV² 955, 1. Addenda 307. Odyssey 19.378-384. F. Brommer, Odysseus: Die Taten und Leiden der Helden in antiker Kunst und Literatur, ... Agora 30 301 P 24227 P 19976 P 4845 P 420 P 16424 P 27428 P 3518 H 13:4 H 7:1 F 14:2 E 19:5 E 14:11 ... 430 B.C ... ARV² 955, 1 ... Odyssey 19.378-384 ... Paralip. 473 |
| Exekias. Hydriai. Analatos Painter. KX Painter. Villa Giulia 50599. ABV 146, 20. ABV 714. Paralip. 32, 2 bis. K. Stähler, JOAI 49, 1968-1971, pp. 79-113. M. B. Moore, AJA 84, 1980, p. 432 and notes 125, ... Agora 23 35 ... Paralip. 32, 2 bis ... Paralip. 6, 1 ... Paralip. 32, 1 |
Four non-joining wall fragments, a and d with start of neck. Thin reddish glaze on inside. Glaze thin in places. Max. dim. a) 0.08, b) 0.17, c) 0.06, d) 0.065. C. Boulter, Hesperia 22, 1953, pl. 22:2; ... Ca. 450 B.C ... on Ferrara 2739 = T.749 by the Boreas Painter (ARV2 536, 1; Paralip. 384, ---, 1; Addenda 255).
|
Two non-joining fragments, a of wall, b of rim and neck with start of handle zone at far left. Glaze pitted on inside of a. Max. dim. a) 0.077, b) 0.14; W. of rim 0.025; H. of neck 0.063. W. B. Dinsmoor, ... Ca. 480 B.C ... The scene on 237 might also illustrate the fight between Diomedes and Aineas: cf. the namepiece of the Tyszkiewicz Painter, Boston 97.368 (ARV2 290, 1; Paralip. 355, 1; Addenda 210), though this seems less likely. ... LIMC I, 1981, pp. 384--385, s.v. Aineias (F. ... E 468 and Karlsruhe 68.101 (Paralip. 344, 131 bis; Addenda 194). |
Lower part of wall and all of ring base. On underside of floor, three concentric circles with central dot. Most of the glazed fired red on the inside and on the outside below the figures. P.H. 0.15; diam ... Ca. 430 B.C ... Cf. just a few examples that may stand for many: two by the Veii Painter: South Hadley, Mass., Mount Holyoke College, 1932 BS II.5 (ARV2 906, 109; Addenda 303) and Berlin 2261 (ARV2 906, 116; Addenda 303); Oxford 1961.468 by the Painter of Bologna 417 (ARV2 917, 202; Addenda 304); the namepiece of the Group of Athens 1591 (ARV2 955, 1; Addenda 307).
The subject on Side A is probably the return of Odysseus to Ithaca, specifically the moment before Eurykleia sees the identifying scar on his knee when she washes his feet (Odyssey 19.378--384). For the subject, see F. ... The drapery of the figures identified as Eurykleia and Odysseus bears some similarity to that on Boston, M.F.A. 95.25 in the manner of the Kleophon Painter (ARV2 1149, 9; Paralip. 457, 9; Addenda 335; Matheson, Polygnotos, p. 412, cat. no. |
|
|