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| Late Archaic Pot Painters; Myson and Other Painters of Column-Kraters. Addenda 199. ARV² 224, 1. ARV² 206, 132. Paralip. 343, 132. Addenda 194. Addenda 198. ARV² 224. ARV² 229, 35. Paralip. 347, 35. Paralip ... Agora 30 94 ... ARV² 206, 132 ... Paralip. 343, 132 ... Paralip. 347, 35 |
| ARV² 221, 15. ARV² 222, 19. ARV² 222, 25. ARV² 223, 6. Paralip. 346, 6. fig. 13. Cistern. Langbridge, Eucharides Painter, p. 448, cat. no. K 3. Pit. W.B. Dinsmoor, Hesperia Suppl. 5, [. 134, fig. 61:13 ... Agora 30 170 P 17462 P 358 P 8533 G 5:1 C 9:6 ... 500-490 B.C ... Paralip. 346, 6 ... ARV² 206, 132 ... Paralip. 343, 132 |
| F. Hitzl, Die Entstehung und Entwicklung des Volutenkraters von den frühesten Anfängen bis zur Ausprägung des kanonischen Stils in der attisch schwarzfigurigen Vasenmalerei, Frankfurtam-Main 1982[Archäologische ... Agora 30 24 ... Paralip. 384, 1 ... Paralip. 395, 13 ... Paralip. 343, 132 |
Two non-joining fragments, a of wall, b of rim and neck with start of handle zone at far left. Glaze pitted on inside of a. Max. dim. a) 0.077, b) 0.14; W. of rim 0.025; H. of neck 0.063. W. B. Dinsmoor, ... Ca. 480 B.C ... Hektor may have looked something like his counterpart on the volute-krater in London by the Berlin Painter that names the figures (E 468: ARV2 206, 132; Paralip. 343, 132; Addenda 194) or the kalpis in the Vatican, H 545, by the Eucharides Painter (ARV2 229, 38; Paralip. 347, 38; Addenda 199). ... The scene on 237 might also illustrate the fight between Diomedes and Aineas: cf. the namepiece of the Tyszkiewicz Painter, Boston 97.368 (ARV2 290, 1; Paralip. 355, 1; Addenda 210), though this seems less likely. ... E 468 and Karlsruhe 68.101 (Paralip. 344, 131 bis; Addenda 194). |
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