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| Kantharoi; Type A. Kantharoi; Type B. Courbin, p. 334, fig. 15. ARV² 127, 29. Paralip. 510, 29. Addenda 176. Caskey in CB i, p. 15. M.B. Moore and D. von Bothmer, AJA 76, 1972 [pp. 1-11], pp. 5-6 and pl ... Agora 30 60 ... ARV² 127, 29 ... Paralip. 510, 29 ... Agora 012, p. 114 |
| Cistern. Burn. Meidias Painter, p. 118, cat. no. MM 157. Other. ARV² 1332, 1. Paralip. 480, 1. Addenda 365. ARV² 1329, 105. Well. ARV² 1326, 69. Addenda 364. Burn. Meidias Painter, p. 114, cat. no. MM ... Agora 30 353 P 25496 P 14261 P 1566 P 20218 P 8267 P 26173 P 9500 P 3135 P 23536 S 19:3 H-I 7-8:1 C 12:2 D 5:1 ... Mid 5th B.C ... Paralip. 480, 1 ... Paralip. 479, 98 ... Paralip. 477, 2 |
| Cups; Type B. J.-G. Szilagyi, Bulletin des musées hongrois 28, 1996 [pp. 13-29], p. 22. Bloesch, FAS, pp. 12-16. Cohen, Attic Bilingual Vases, p. 247: C 6. B. Cohen, Greek Vases in the J. Paul Getty Museum ... Agora 30 68 ... Szilagyi, Bulletin des musées hongrois 28, 1996 [pp. 13-29], p. 22 ... Paralip. 328, 17 ... Paralip. 114, 21 |
| Neck-Amphorae; Standard Neck-Amphorae. Well. CVA, Munich 8 [Germany 37], pl. 383 [1801]:1. Munich 1557. Painter of Boulougne 441. Boulougne 441. ABV 290, -, 3. CVA, Munich 8 [Germany 37], pl. 395, [1813]:1 ... Agora 23 127 P 8883 P 12994 P 3167 P 19879 P 419 P 7446 P 20018 P 16814 T 19:1 G 13:1 G 15:1 ... 4th quarter of 6th B.C ... ABV 260, 29 ... Paralip. 114, 29 ... Paralip. 115, 36 |
| Bell-Kraters. Bell-Kraters; Type 1; Bell-Kraters with Lugs. Beazley, CB ii, p. 50. Hesperia Suppl. 010, pp. 8-9. Denoyelle, Chefs d'oeuvre-Louvre, pp. 114-115, cat. no. 52. Follman, Pan-Maler, pp. 50-51 ... Agora 30 31 ... Paralip. 342, 126 ... Paralip. 386, 1 ... Paralip. 381, 10 |
| Paralip. 344, 131bis. Addenda 194. Dugas, Mélanges Rome 62, 1950, pp. 9-31. Recueil Charles Dugas, Paris 1960, pp. 123-139. Schwarz, Triptolemos, pp. 114-116. Prange, Niobidenmaler, p. 79. Schwarz, Triptolemos, ... Agora 30 171 P 8533 P 14729 P 27374 P 26613 ... 480 B.C ... Paralip. 344, 131bis ... Schwarz, Triptolemos, pp. 114-116 ... Paralip. 377, 3 |
| ARV² 189, 76. Ashmead, Hesperia 35, 1966, p. 29. Paralip. 341, 76. Addenda 189. A. Kossatz-Deissmann, LIMC I, 1981, pp. 111-112, no. 462. P. Hellström, Achilles in Retirement, Medelhavsmuseet, The Museum ... Agora 30 177 P 10509 ... 480 B.C ... Ashmead, Hesperia 35, 1966, p. 29 ... Paralip. 341, 76 ... Paralip. 377, 2 |
Wall fragment. Max. dim. 0.042.
Eros (head, body from the waist up, bows of wings missing) flying to right toward a woman (a bit of hair, right side of body with decorated garment) who probably stands ... Ca. 400 B.C ... Louvre MNB 1320 (ARV2 1326, 69; Addenda 364; Burn, Meidias Painter, p. 114, cat. no. MM 109, pl. 14:c--e) and Oxford G 302 = 551 (ARV2 1328, 98; Paralip. 479, 98; Addenda 364; Burn, p. 100, cat. no. M 29, pls. 49, 50), which Beazley put "close to the painter himself" (ARV2 1328, 98). |
| Columns-Kraters. Well. M.B. Moore, AK 29, 1986, pp. 107-114. ARV² 32, 3. CVA 5 [Deutschland 20], pl. 221 [936]:3. A. Kambitoglou and S. Paspalos, LIMC VII, 1994, pp. 970-991, s.v. Kyknos. Mind and Body, ... Agora 30 157 P 14948 P 25957 P 2619 F 19:5 L-M 7:1 G 6:3 ... 520 B.C ... Moore, AK 29, 1986, pp. 107-114 ... Paralip. 44, 37 ... Paralip. 128, 1 |
Four non-joining fragments, a -- c of shoulder, d of neck. Glaze misfired slightly on tongue pattern on fragment a. From a very large krater. Max. dim. a) 0.127, b) 0.15, c) 0.089, d) 0.093. G. Schwarz, ... Ca. 460 B.C ... For a brief discussion of these, see Schwarz, Triptolemos, pp. 114--116; Prange, Niobidenmaler, p. 79. ... E 140: ARV2 459, 3; Paralip. 377, 3; Addenda 243), on which the god's name is inscribed just as it is on 238; Athena appears in one of the very earliest examples, Reggio 4001, which is probably by Exekias himself, not in his manner (ARV2 147, 6; Paralip. 61, 6; Addenda 41; Schwarz, p. 29, cat. no. |
Fifteen non-joining fragments of wall, P 18278 b--c and P 19582 a--d of torus rim with zone of ornament below. Glaze mottled here and there; has a greenish cast in places; abraded in part on rim. Max ... Ca. 480 B.C ... Hellström, "Achilles in Retirement," Medelhavsmuseet [The Museum of Mediterranean and Near Eastern Antiquities, Stockholm] 25, 1990, pp. 19--31), is that a woman should not be present, at least not as we know it from Homer and from the representations (see LIMC I, pp. 106--114). Occasionally, the Mission Scene is combined with a representation of the leading away of Briseis, as on the Louvre skyphos by Makron (G 146: ARV2 458, 2; Paralip. 377, 2; Addenda 243; Denoyelle, Chefs-d'oeuvre . . . ... (Iris wears a similar headdress on Munich 2426: ARV2 189, 76; Paralip. 341, 76; Addenda 189.) ... The Kleophrades Painter (ARV2 185, 39; Paralip. 340, 39). |
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