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Lip and bowl fragment. Reserved line on inside and outside at rim. Max. dim. 0.059.
A, satyr with pelta riding a full wineskin. What remains besides the pelta decorated with a frontal animal's head between ... Ca. 510-500 B.C ... For a satyr with a pelta, see the one attacking Iris on Boston, M.F.A. 08.30a, also from the Wider Circle of the Nikosthenes Painter but rather rough (ARV2 135 [a]; Addenda 177). ... Wider Circle of the Nikosthenes Painter (ARV2 133, 9). |
Floor fragment. Max. dim. 0.715; est. diam. of tondo 0.11.
I, satyr (most of filleted head, right shoulder, and upper part of right arm, a little of right thigh) reclining to left, chest frontal, head ... Ca. 510-500 B.C ... Probably by a painter from the Wider Circle of the Nikosthenes Painter. |
Floor fragment with stem. Two incised lines to simulate fillet. Max. dim. 0.073.
I, woman (head, both feet missing) seated to right, holding a nude male child (head missing) in her outstretched arms ... Ca. 510-500 B.C ... The lively, but rather rough, drawing bears some similarity to that on two cups by one hand, a painter in the Wider Circle of the Nikosthenes Painter: Boston, M.F.A. 08.30a (ARV2 135 [a]; Addenda 177) and Berlin 1964.4 (ARV2 1700; Paralip. 334; Addenda 177). |
Floor fragment. Max. dim. 0.075; est. diam. of tondo 0.09.
I, figure (drapery) reclining to left. In the glazed exergue below the couch, part of an imitation inscription:
Reserved line for tondo border ... Ca. 510-500 B.C ... The best parallels for 1536 seem to be these two tondi: Louvre CA 1585, connected in its potting with Pamphaios, but otherwise unattributed (ARV2 131, ---; Addenda 177); once Basel Market, roughly connected to the Wider Circle of the Nikosthenes Painter (ARV2 134, 9). |
| Associated with the Class of teh Oxford Siren-jug. St. Audries Painter. Salax, potter. Sandal Painter. Compare the Painter of the Palermo Gorgoneion. Sappho Painter. Segment Class. Palmette-and-swan Group ... Agora 23 357 ... Audries Painter ... Sandal Painter ... Nikosthenes Painter |
Floor fragment with start of stem on underside. Max. dim. 0.094. H. A. Thompson, Hesperia 27, 1958, pl. 46:a.
I, satyr (wreathed head, torso to waist, most of right arm, top of tail, and part of left ... Ca. 510-500 B.C ... Assigned by Beazley to the Painter of P 24102, a.k.a. the Painter of the Agora Chairias Cups (ARV2 176--177; Paralip. 339; Addenda 185). ... Not in ARV2.
1606 probably belongs to the Wider Circle of the Nikosthenes Painter and bears some resemblance to these satyrs: Brussels A 201 (ARV2 133, 19); Brussels A 1377 (ARV2 134, 2; Addenda 177); and Boston 08.30a (ARV2 135 [a]; Addenda 177); for the locks of hair ending in inverted question marks, cf. especially the right satyr on side B of the last. |
| Protoattic. Andokides, potter. Analatos Painter. Antidoros. Kynosarges Painter. Antimenes Painter. Cactus Painter. Pair Painter. Camtar Painter. Ram-jug Painter. Capodimonte Group. Caylus Painter. Corinthian ... Agora 23 355 P 1241 P 7891 P 24327 P 24340 P 24366 P 24377 P 24381 P 24402 P 24486 ... Analatos Painter ... Kynosarges Painter ... Antimenes Painter |
Floor fragment. Max. dim. 0.045; est. diam of tondo 0.11. H. A. Thompson, Hesperia 17, 1948, pl. 68:1.
I, satyr (most of wreathed head with wrinkled brow) to right. Above:
Behind him, part of the reserved ... Ca. 510-500 B.C ... Satyr pursuing a maenad: Louvre G 68 near the Thalia Painter (ARV2 113, ---). Satyr running left, looking back, holding a full wineskin: Melbourne 1730.4 by the Nikosthenes Painter (ARV2 125, 20; Paralip. 333, 20; Addenda 176). ... The satyr on 1601 bears a slight resemblance to the one attributed to a painter near Oltos, London, B.M. |
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