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| Index I; Potters; Painters; Groups and Classes ... Agora 30 383 ... Index I; Potters; Painters; Groups and Classes |
| The Athenian Agora; Volume 12; Black and Plain Pottery; Part 2; Index I; Potters Painters Groups and Classes ... Agora 12 421 ... The Athenian Agora; Volume 12; Black and Plain Pottery; Part 2; Index I; Potters Painters Groups and Classes |
| Lids. Plates. Plates; Type A. Plates; Type B. Plates; Other. Phialai. Mastoid. Chalices. Skyphoi. Skyphoi; Corinthian Type. Skyphoi; Attic Type. Skyphoi; Special. Cups. Cups; Komast Cups. Cups; Siana Cups ... Agora 23 xi ... Potters and Painters ... Index I; Potters, Painters, Groups, and Classes ... Index II; Subjects |
| The Athenian Agora; Volume 12; Black and Plain Pottery; Part 2; Table of Contents; Part 2. The Athenian Agora; Volume 12; Black and Plain Pottery; Part 2; Table of Contents; Part 2; List of Illustrations ... Agora 12 v ... The Athenian Agora; Volume 12; Black and Plain Pottery; Part 2; Table of Contents; Part 2; Concordance; Index I; Potters Painters Groups Classes ... The Athenian Agora; Volume 12; Black and Plain Pottery; Part 2; Table of Contents; Part 2; Concordance; Index II; Ancient Authors ... The Athenian Agora; Volume 12; Black and Plain Pottery; Part 2; Table of Contents; Part 2; Concordance; Index III; Greek Words |
http://agathe.gr/publications/monographs.html Monographs Excavations in the civic and cultural center of classical Athens began in 1931 and have continued almost without interruption to the present day. The first Athenian Agora volumes presenting ... Each section on a monument opens with a brief synopsis of the evidence contained in the texts which follow. The index of authors gives dates and editions as well as passages and inscriptions cited, and is followed by an index of subjects. ... There are indexes of potters, painters, groups, and classes; subjects; shape and ornament; collections and provenances; and a general index. ... The first gives a brief description of each vase shape and its development, and then shows how the Agora pieces fit into this sequence; the second follows this same format for groups of painters. |
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