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Goldman, Hetty ... American School of Classical Studies at Athens ... Hesperia 8 164-174+454 10.2307_1353891 ... 1949 ... Sandon and Herakles |
Camp, John Ierardi, Michael McInerney, Jeremy Morgan, Kathryn Umholtz, Gretchen ... American School of Classical Studies at Athens ... Hesperia 66.2 2 261-269 10.2307_148486 ... 1997 ... An Athenian Dedication to Herakles at Panopeus |
Hallof, Klaus ... American School of Classical Studies at Athens ... Hesperia 66.4 4 643 10.2307_148468 ... 1997 ... An Athenian Dedication to Herakles at Panopeus: Addendum |
Shefton, B. B ... American School of Classical Studies at Athens ... Hesperia 31.4 4 330-368+414-415 10.2307_147234 ... 1962 ... Herakles and Theseus on a Red-Figured Louterion |
Williams, Ellen Reeder ... American School of Classical Studies at Athens ... Hesperia 51.3 3 357-364 10.2307_147956 ... 1982 ... A Terracotta Herakles at the Johns Hopkins University |
Nicholls, Richard ... American School of Classical Studies at Athens ... Hesperia 51.3 3 321-328 10.2307_147953 ... 1982 ... The Drunken Herakles a New Angle on an Unstable Subject |
Broneer, Oscar ... American School of Classical Studies at Athens ... Hesperia 8.2 2 91-100 10.2307_146586 ... 1939 ... The Head of Herakles in the Pediment of the Old Athena Temple |
Venit, Marjorie Susan ... American School of Classical Studies at Athens ... Hesperia 58.1 1 99-113 10.2307_148322 ... 1989 ... Herakles and the Hydra in Athens in the First Half of the Sixth Century B.C. |
American School of Classical Studies at Athens ... Hesperia 52.2 2 154 10.2307_147784 ... 1983 ... Corrigenda and Addenda: Amphoras on Amphoras; The Drunken Herakles a New Angle on an Unstable Subject; Greco-Italic Amphoras |
Sturgeon, Mary C ... American School of Classical Studies at Athens ... The remodeling of the theater at ancient Corinth in the 2nd century A.D. included lavish decorations, the chief of which were three dramatic friezes. In publishing them this book presents the most ambitious ... 1977 ... The friezes the Gigantomachy, the Amazonomachy, and the Labors of Herakles) are presented each in turn with a discussion of its position in Greek art and a stylistic analysis, followed by a catalogue of the pieces arranged as far as possible in the proposed sequence of relief slabs. |
Sturgeon, Mary C ... American School of Classical Studies at Athens ... At the time of its creation in the Hadrianic period, the Corinth Theater presented the most elaborate form of Roman theater architecture to date; a three-storied columnar facade made of multicolored marble ... 2004 ... However the depiction of Gigantomachy, Amazonomachy, and Herakles scenes on podia and the Greek character of other sculptures around the building made a conscious link to indigenous culture. |
Broneer, O ... American School of Classical Studies at Athens ... The calyx-krater of Exekias, first published in 1937,1 was discovered at the bottom of a well in the American School excavations on the North slope of the Acropolis in Athens. The circumstances of discovery ... 1956 ... The scenes in the main zones of decoration, it will be recalled, are : A, the introduction of Herakles into Olympos; and B, the combat over the body of Patroklos.
... Animal scenes on A and B
DIFFERENCES
North Slope krater
Shape: Proportion of height to diameter at top, 0.846: 1
Main Zone A: Herakles' introduction into Opympos
Handles: Handles flanked by horn-like knobs; Tongue pattern at base of handles; Seated figure beneath the vine; Naturalistic rendering of vine leaves; Running satyrs beneath the handles
Animal Scenes: Lions'manes rendered by incised S-pattern
Bottom Zone: Plain
Pharsalos krater
Shape: Proportion of height to diameter at top, 0.943: 1
Main Zone A: Chariot scene with driver and grooms
Handles: Handles termination in plastic volutes; No tongue pattern; No figure beneath the vine; Schematic rendering of vine leaves; No design beneath the handles
Animal Scenes: Lions' manes rendered by purple
Bottom Zone: Ray pattern
There are many other differences in the style and drawing of anatomical details and in the use of accessory colors, incisions, etc. ... This is probably true of the poros head of Herakles from the archiac temple, Hesperia, VIII, 1939, pp. 91 ff. |
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