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[Agora Publication Page] Agora 23, s. 319, p. 303

Berlin 1800. Louvre F 145. K. Schauenburg, AK, Beiheft 7, pp. 33-46. J. Boardman, AA (JdI 97), 1976, pp. 281-290. Cups; Little Master Cups; Band-Cups. Cistern. Other. E. Vanderpool, Hesperia 7, 1938, pp ... Agora 23 303 P 1123 P 12533 P 1990 P 23405 P 8878 P 23267 P 1244 P 9277 P 1241 P 456 P 10786 Q 13-14:1 G 6:3 M 17:4 G 11:5 ... 540 B.C.

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[Agora Publication Page] Agora 30, s. 196, p. 177

ARV² 189, 76. Ashmead, Hesperia 35, 1966, p. 29. Paralip. 341, 76. Addenda 189. A. Kossatz-Deissmann, LIMC I, 1981, pp. 111-112, no. 462. P. Hellström, Achilles in Retirement, Medelhavsmuseet, The Museum ... Agora 30 177 P 10509 ... 480 B.C ... Ashmead, Hesperia 35, 1966, p. 29 ... P. Hellström, Achilles in Retirement, Medelhavsmuseet, The Museum of Mediterranean and Near Eastern Antiquities, Stockholm, 25, 1990, pp. 19-31 ... Boardman, AK 19, 1976, p. 4

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[Agora Publication Page] Agora 30, s. 111, p. 92

Late Archaic Pot Painters. Late Archaic Pot Painters; The Kleophrades Painter. ARV² 191, 103. Addenda 189. Furtwängler, FR i, pp. 262 and 263. D. von Bothmer, The Amasis Painter and His World, Malibu, ... Agora 30 92 ... ARV² 182, 4 ... ARV² 27, 4 ... Boardman, The Kleophrades Painter at Troy, AK 19, 1976, pp. 3-18

[Agora Object] Agora XXX, no. 256

Fifteen non-joining fragments of wall, P 18278 b--c and P 19582 a--d of torus rim with zone of ornament below. Glaze mottled here and there; has a greenish cast in places; abraded in part on rim. Max ... Ca. 480 B.C ... Fifteen non-joining fragments of wall, P 18278 b--c and P 19582 a--d of torus rim with zone of ornament below. ... Ashmead, Hesperia 35, 1966, pl. 9 (P 19582 j and P 6103); pl. 10: on this plate, a =P 19582 a; h =P 19582 h; g =P 19582 i; k =P 18278 d; m =P 19582 e; n =P 19582 f; l (mispoised)=P 18278 a); G. ... A better possibility for the scene on Side A, although not without problems, is the Second Arming of Achilleus, a theme suggested by Ashmead (Hesperia 35, 1966, pp. 29--30) but rejected by Boardman (AK 19, 1976, p. 4), chiefly because the subject is only popular in red figure somewhat later than 256.