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Shoulder and neck fragment. Max. dim. 0.08. Choes and Anthesteria, p. 91, cat. no. 233.
Frieze of upright encircled palmettes and lotuses. Below:
Below, at right break, part of a thick fillet tied around ... Second quarter of the 5th century B.C ... The pattern has a parallel on Munich 2493, a middle work by the Berlin Painter (ARV2 210, 187). |
Fragment of knee end. Max. dim. 0.061.
Woman's head (face) to left, facing a spiral decoration. Preliminary sketch.
For the composition, cf. especially the namepiece of the Painter of Berlin 2624 (ARV2 ... Ca. 430-420 B.C ... For the composition, cf. especially the namepiece of the Painter of Berlin 2624 (ARV2 1225, ---, 1) and one near him, Athens, N.M. 2182 (ARV2 1225, ---, 3). 1645 may be by this painter. |
Wall fragment with start of mouth. Max. dim. 0.062. H. A. Thompson, Hesperia 17, 1948, pl. 66:2.
Man (left hand, legs missing) to right, leaning on a stick, his right hand on his hip. He wears a himation; ... Ca. 500 B.C ... White (flaked): leaves of wreath.
The Painter of Berlin 2268 (ARV1 115, 50); Recalls the Painter of Berlin 2268 (ARV2 158, ---). |
| Two fragments, a) mended from three, b) from five, preserve part of the open end of one side, with the start of the curve at the closed end.
Around the open end, rays; then a laurel band. Around the closed ... 15 March 1937 ... ARV, p. 759, no. 2, near P. of Berlin 2624 ... ARV2, p. 1225, Near the Painter of Berlin 2624, no. 2. |
Wall fragment with start of mouth. Max. dim. 0.04.
Outstretched right hand and tattooed forearm of figure to left. Below, just above the break:
retrograde. Relief contour. Dilute glaze: tattoo. Red:inscription ... Ca. 500 B.C ... For tattoos, see 226.
The Painter of Berlin 2268 (ARV2 157, 81). |
Wall fragment. Glaze pitted in places on outside. Max. dim. 0.076.
Man (lower part of fringed garment, start of legs) pursuing a woman (drapery, right hand about to take hold of a fold) to right. Preliminary ... Ca. 460 B.C ... For the loose tunic without many folds, cf. Berlin 2186 by the Berlin Painter (ARV2 208, 150; Kaempf-Dimitriadou, Liebe der Götter, p. 36, fig. 6); Naples, inv. 81529 = 3139 from the Circle of the Pan Painter (ARV2 560, 3; Addenda 259); two by the Euaion Painter, Frankfurt VF 406 (ARV2 796, 117; Addenda 290) and Athens, N.M. 1586 (ARV2 798, 146; Addenda 290); Basel, Antikenmuseum und Sammlung Ludwig, LU 53, a stamnos attributed by Lullies to the Christie Painter (Kaempf-Dimitriadou, pl. 28:3; Matheson, Polygnotos, p. 373, cat. no. |
Mended with small missing pieces restored in plaster and painted. Lip offset on inside; foot offset on underside. Glaze slightly abraded on handles. H. 0.074; diam. of rim 0.18; W. with handles 0.238; ... Ca. 510-500 B.C ... Kossatz-Deissmann).
The Berlin Painter (ARV2 213, 242; Paralip. 344, 242; Addenda 196). ... Paul Getty Museum and attributed to the Berlin Painter by Frel, sheds a completely new light on the early work of the Berlin Painter, namely, that at times he was directly influenced by Euphronios (M. ... Moore, "The Berlin Painter and Troy," J. |
Fragment of slightly domed lid. Slipped on underside. Max. dim. 0.058.
From knob out: rays in black; below, swan's head and neck (back of klismos); next to it on the right, upper left corner of an object ... Probably mid-5th century B.C ... For rays instead of the more common egg pattern with dots or the zone of tongues around the base of the knob, see Taranto/Reggio, no no. by the Berlin Painter (ARV2 212, 215; Addenda 196); Ferrara 3095 by Hermonax (ARV2 490, 125; Paralip. 379, 125; Addenda 249); and Naples 2638 by the Niobid Painter (ARV2 607, 89; Prange, Niobidenmaler, p. 204, cat. no. |
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