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| Well. Fill. Agora, V, J 62, p. 57, pl. 45. Cistern. Agora, V, G 226, p. 45, pl. 45. Agora, V, G 157, p. 38, pl. 44. Agora, V, G 156, p. 38, pl. 44. Attic Lamps; Lamps of the Late 1st Century Before Christ ... Agora 7 106 D 12:1 K 9-10:1 F 15:5 J 18:2 C 12:1 F 11:1 D 4:1 O 17:1 O 18:3 B 14:3 I 16:1 K 18:1 ... Late 1st-Early 2nd A.D ... Agora, V, G 226, p. 45, pl. 45 ... Agora, V, G 223, p. 45 ... Agora, V, G 224, p. 45, pl. 45 |
Handle missing, and part of nozzle.
"Alpha" beneath. Typical raised dots, small.
Black to red wash, somewhat metallic.
Type XX of Corinth collection.
ADDENDA Numerous other examples of type XX of Corinth ... 2 April 1937 ... Agora V, no. G 223, p. 45 ... Agora VII, no. 423, p. 106. |
| Intact, with some chips from one end.
Surface crumbly. Pierced lengthwise. At one end, a ring of white leading into seven columns of scallops. Porous white decoration.
Dull green glass.
Part of necklace ... 15 June 1967 |
| New York Metropolitan Museum of Art, 06.1021.29. Orvieto, Faina Collection, 70. Paris, Musée du Louvre. New York Metropolitan Museum of Art, 11.210.1. Orvieto, Faina Collection, 72. New York Metropolitan ... Agora 23 379 |
| Ἀρχαιολογική Ἐφημερίς, 1953-54, Part 1, pp. 205-206. Archeologia, Warsaw, XV, 1964, p. 192, fig. 25. Ashmolean Museum: Select Exhibition of Sir John and Lady Beazley's Gifts, 1912-1966, London, 1967 [Beazley ... Agora 12 445 ... Archivo de prehistória levantina, Valencia, V, 1954, p. 164, 5 and p. 165, 6 ... Archivo de prehistória levantina, Valencia, V, 1954, p. 171, fig. 14 ... The Athenian Agora, Results of the Excavations conducted by the American School of Classical Studies at Athens, V, H.S. |
Four non-joining fragments of rim and neck, P 25978 a preserving the spiral of one handle, P 28759 with start of shoulder. Two small fragments (P 25978 b and c) give a bit of the flange of a handle and ... Ca. 500-490 B.C ... Thompson, Hesperia 27, 1958, pl. 45:b (fragment a); Schleiffenbaum, Volutenkrater, p. 324, cat. no. V 205; LIMC VII, 1994, p. 937, no. 185, s.v. ... The drawing of the figures and drapery is much simpler on the Agora vase when compared with figures by the Nikoxenos Painter, even smaller ones that are set in a frieze: e.g., Munich 2381; Oxford G. 136.36 and 40 (ARV2 221, 15); London, B.M. |
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