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[Agora Publication Page] Agora 30, s. 371, p. 352

Well. G.M.A. Richter, The Furniture of the Greeks, Etruscans and Romans, London 1966, figs. 411-413. Ostraka. A. Ashmead, Hesperia 35, 1966, pl. 7. ARV¹ 125, 59. ARV² 189, 79. Paralip. 341, 79. ARV² 16, ... Agora 30 352 P 9195 P 19803 P 7241 P 2798 P 9463 P 4725 P 22803 P 19218 R 13:1 G 16:1 D 7:2 G 6:3 C 9:6 D 19:1 ... 410-400 B.C.

[Agora Publication Page] Agora 30, s. 148, p. 129

Fourth-Century Painters. ARV² 1361-1362. Paralip. 484. Addenda 372. ARV² 1363-1364. ARV² 1391, 1. ARV² 1391-1397. ARV² 1362-1363. Addenda 370. Paralip. 487. Addenda 373. ARV² 1364, 1. ARV² 1364. ARV² 1398-1399 ... Agora 30 129 P 16879 ... Paralip. 484 ... ARV² 1391, 1 ... Paralip. 487

[Agora Publication Page] Agora 23, s. 163, p. 147

Amphorae; Type Uncertain. Amphora Lids. Fill. Jucker, Hesperia Art, Bulletin 22, Nov. 1962, no. 8. Other. E. Vanderpool, Hesperia 15, 1946, p. 323, no. 269, pl. 66. New York, M.M.A. 17.230.14. Exekias ... Agora 23 147 P 1058 P 26534 P 1293 P 10776 P 4992 P 27189 P 20780 T 18:3 G 6:3 E-F 12-14 E 29:4 R 12:1 ... Late 6th-Early 5th B.C.

[Agora Publication Page] Agora 30, s. 118, p. 99

ARV² 398-399. Paralip. 369. ARV² 371, 24. Paralip. 365, 24. Addenda 225. D. Williams, CVA, London 9 [Great Britain 17], pl. 58 [834]:b. ARV² 368-385. Paralip. 365-368. Addenda 224-229. D. Williams, CVA, ... Agora 30 99 ... Paralip. 367, 1 bis ... Paralip. 365, 1 ... Paralip. 369-371

[Agora Publication Page] Agora 30, s. 184, p. 165

ARV² 235. Fill. ARV² 344, 64. Addenda 220. ARV² 407, 11. Paralip. 371, 11. Addenda 232. ARV² 367, 103. ARV² 340, 62. Paralip. 361, 62. Addenda 218. Ostraka. ARV² 182, 6. Paralip. 340, 6. Addenda 186. ARV² ... Agora 30 165 P 4242 P 7244 P 14621 P 14711 P 24268 E 14:11 D 7:2 E-F 2-3:2 G 3:1 ... 490 B.C.

[Agora Publication Page] Agora 30, s. 181, p. 162

Floor. ARV² 545, 1. ARV² 536, 5. Addenda 255. ARV² 537, 9. ARV² 541, 4. ARV² 541, 8. Pit. ARV² 541, 1. Paralip. 385, 1. Addenda 256. Fill. ARV² 541, 2. ARV² 542, 22. ARV² 542, 26. ARV² 542, 29. ARV² 543, ... Agora 30 162 P 27686 P 17532 P 19130 P 19150 P 19447 P 24831 P 1463 P 14:3 J 18:3 C 18:4 N 10:1 ... 470-460 B.C ... ARV² 545, 1 ... Paralip. 385, 1 ... Paralip. 350, 1

[Agora Publication Page] Agora 23, s. 132, p. 116

One-Piece Amphorae; Scheme of Decoration Uncertain. Nettos Painter. ABV 6, 1. Paralip. 5, ii, 4. Agora A-P 1734. ABV 8, 6. Paralip. 6, 6. ABV 6, - 2. Paralip. 5, 2. Tyrrhenian Group. Painter of London ... Agora 23 116 P 3795 P 18633 P 365 P 1235 P 267 P 23158 P 24952 P 25370 G 6:3 Q 13:5 Q 13-14:1 ... 620-610 B.C ... ABV 6, 1 ... Paralip. 29, 1 ... Paralip. 6, 1

[Agora Object] P 1547: Black Figure Skyphos Fragment

Mended from many pieces. Nearly half of the body and the rim is preserved. The foot is entirely missing. Traces of one handle. In center, a nude flute player to right. On either side, two male dancers ... August-September 1932

[Agora Publication Page] Agora 30, s. 216, p. 197

ARV¹ 766, 7. ARV² 1276, 10. Other. ARV² 1186, 22. Well. ARV² 1276, 11. Drain. Hesperia Suppl. 10, p. 31, no. 118, pl. 9. ARV² 1187, 1. Addenda 341. R.S. Young, Hesperia 20, 1951, pl. 79:4. ARV² 1136, 36 ... Agora 30 197 P 486 P 23838 P 2135 P 18291 P 24200 P 22616 P 18956 P 9370 P 7017 P 22041 F 14:2 Q 15:2 B 19:12 B 13:6 C 19:9 M 20:3 B-C 10-11:1 ... 430-420 B.C.

[Agora Publication Page] Agora 30, s. 196, p. 177

ARV² 189, 76. Ashmead, Hesperia 35, 1966, p. 29. Paralip. 341, 76. Addenda 189. A. Kossatz-Deissmann, LIMC I, 1981, pp. 111-112, no. 462. P. Hellström, Achilles in Retirement, Medelhavsmuseet, The Museum ... Agora 30 177 P 10509 ... 480 B.C ... Paralip. 341, 76 ... Paralip. 377, 2 ... Paralip. 371, 1

[Agora Publication Page] Agora 23, s. 60, p. 44

Deianeira Type. C Painter. Amasis. Lydos. Dolphin Group. Fat-runner Group. Group of Vatican G. 52. Vatican G. 52. ABL, p. 1. Bothmer, Amasis Painter, pp. 150-151, cat. no. 31. ABL, p. 7. ABV 153, 33. J ... Agora 23 44 ... ABL, p. 1 ... Paralip. 65, 87 ... Paralip. 28, 7

[Agora Publication Page] Agora 30, s. 208, p. 189

CVA, Basel 3, Schweiz 7, pl. 12, 324: 1, 2. ARV² 1073, 3. ARV² 1075, 8. Robinson, Olynthos V, pl. 65:110. CVA 5, France 8, pl. 32, 373:1, 3, 4, 6. Délos XXI, pl. 54:3. G. Pellegrini, Catalogo dei Vasi ... Agora 30 189 P 21286 P 8264 P 5771 P 17053 P 436 P 4813 P 16974 P 16577 P 25901 C 12:2 A-B 21-22:1 M 17:7 ... 440 B.C ... CVA, Basel 3, Schweiz 7, pl. 12, 324: 1, 2 ... CVA 5, France 8, pl. 32, 373:1, 3, 4, 6 ... Paralip. 445, 38 bis

[Agora Object] Agora XXX, no. 183

Wall fragment. Glaze thin in places on outside. Max. dim. 0.113. A, male pursuing a woman. Parts of three figures remain: at the left, a bit of the himation and chiton, and left foot of a woman running ... Ca. 460 B.C ... For the subject, see LIMC I, 1981, pp. 367--371, s.v. Aigina (S. ... The Florence Painter or the Boreas Painter (ARV2 545, 1). The border of esses for the bottom of the woman's chiton is a distinctive pattern that appears in the work of both painters: the Boreas Painter: New York, M.M.A. 96.19.1 (ARV2 536, 5; Addenda 255) and Munich 2375 (ARV2 537, 9; Addenda 255); the Florence Painter: Syracuse 21189 (ARV2 541, 4) and Louvre G 360 (ARV2 541, 8). What remains on 183 suggests an ambitious composition, with considerable overlapping of the figures and hence seems a bit closer to the Boreas Painter than to the Florence Painter, who, except for the Centauromachy on his namepiece (Florence 81268 = 3997: ARV2 541, 1; Paralip. 385, 1; Addenda 256), tends to prefer quieter and simpler compositions.

[Agora Publication Page] Agora 23, s. 131, p. 115

One-Piece Amphorae; Panel Amphorae. Fill. One-Piece Amphorae; Special One-Piece Amphorae. Other. T. L. Shear, Hesperia 2, 1933, pp. 457-458, fig. 6. E. Vanderpool, Hesperia 7, 1938, pp. 367-371, no. 1, ... Agora 23 115 P 3588 P 1247 P 19835 P 25921 P 13784 P 13126 P 12752 H 8-10 G 6:3 M 17:7 U 25:2 T 24:3 G 11:3 ... Late 6th B.C ... Vanderpool, Hesperia 7, 1938, pp. 367-371, no. 1, figs. 1-4 ... Paralip. 2, 4

[Agora Object] Agora XXX, no. 1673

Wall fragment from the receptacle of a rhyton(?). Max. dim. 0.063. Maenad (most of draped legs, hanging leg of her nebris), probably dancing to right. Above her right thigh at the break is a bit of reserve ... Probably early 5th century B.C ... The shape of the horn is that of a cow, but cow-head rhyta known to me are quite different and considerably later than 1673: Paris, Petit Palais 371 (ARV2 777, ---, 1) and New York, M.M.A. 06.1021.203 (ARV2 777, ---, 2; Paralip. 417, 2; H. Hoffmann, Attic Red-Figured Rhyta, Mainz 1962, pl. 13), both from the Cow-Head Group; Naples Stg. 62 by the Eretria Painter (ARV2 1251, 37; Lezzi-Hafter, Eretria-Maler, p. 348, cat. no. 258, pl. 170); Boston, M.F.A. 01.8105 (ARV2 1551, 11; Hoffmannn, pl. 19:1, 2); and Ruvo, Jatta 1116 (ARV2 1551, 12) from the Group of Class W to which Hoffmann assigns a third, Bayonne 118 (p. 42, cat. no. 112, pl. 22:1) but which Beazley (ARV2 1704) places near the Group.

[Agora Object] Agora XXX, no. 256

Fifteen non-joining fragments of wall, P 18278 b--c and P 19582 a--d of torus rim with zone of ornament below. Glaze mottled here and there; has a greenish cast in places; abraded in part on rim. Max ... Ca. 480 B.C ... GR 1843.11--3.92 = E 76: ARV2 406, 1; Paralip. 371, 1; Addenda 232; CVA, London 9 [Great Britain 17], pl. 73 [849]), Briseis is led away while Achilleus sits in his tent wrapped in his himation, but this is not comparable to 256 because the woman on 256 faces Achilleus and she does not wear traveling clothes, although this might not be necessary for movement from one tent to another within the Greek camp. ... (Iris wears a similar headdress on Munich 2426: ARV2 189, 76; Paralip. 341, 76; Addenda 189.) ... The Kleophrades Painter (ARV2 185, 39; Paralip. 340, 39).