|
|
| a) Head of elderly man, left, his staff or scepter crossing the field close to his brow. Hair falling over forehead and temples, beard and moustache rendered in fine wavy lines of white; thin double fillet, ... 6 July 1949 ... ARV2, p. 185, no. 38, Kleophrades P ... Paralip., p. 340, no. 38. |
| ARV² 185, 32. Paralip. 340, 32. Addenda 187. Well. Ostraka. Agora 27, p. 167, cat. no. 3, pl. 31. Ashmead, Hesperia 35, 1966, pl. 9. G. Neumann, Gesten und Gebärden in der griechischen Kunst, Berlin, 1965, ... Agora 30 175 P 6103 P 18278 P 19582 P 24280 P 20244 P 17211 E 15:6 A 18-19:1 ... 500-490 B.C ... Paralip. 340, 32 ... Paralip. 340, 5 ... Paralip. 340, 38 |
| Late Archaic Pot Painters. Late Archaic Pot Painters; The Kleophrades Painter. ARV² 191, 103. Addenda 189. Furtwängler, FR i, pp. 262 and 263. D. von Bothmer, The Amasis Painter and His World, Malibu, ... Agora 30 92 ... Paralip. 340, 4 ... Paralip. 340, 35 ... Paralip. 340, 6 |
Two non-joining wall fragments. Max. dim. a) 0.055, b) 0.077. A. Ashmead, Hesperia 35, 1966, pl. 8.
Fragment a preserves most of the filleted head of an old man (Phoinix) to left, holding a spear or staff ... Ca. 490 B.C ... The old man is probably Phoinix, as tentatively suggested by Ashmead (Hesperia 35, 1966, p. 24 and accepted by Beazley), and his image on Würzburg 508 comes immediately to mind (ARV2 182, 5; Paralip. 340, 5; Addenda 186). ... Döhle (Klio 49, 1967 [ pp. 63--143], p. 105) thinks that 254 may come from a representation of the Mission to Achilleus, based in part by the presence of Phoinix in the same scene by the Kleophrades Painter on his hydria in Munich, inv. 8770 (Paralip. 341, 73 bis; Addenda 189). ... The Kleophrades Painter (ARV2 185, 38; Paralip. 340, 38). |
|
|
.png.icon.jpg){kind=icon}
.png.icon.jpg){kind=icon}
