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Lip and bowl fragment. Reserved line on inside and outside at rim. Max. dim. 0.059.
A, satyr with pelta riding a full wineskin. What remains besides the pelta decorated with a frontal animal's head between ... Ca. 510-500 B.C ... For a satyr with a pelta, see the one attacking Iris on Boston, M.F.A. 08.30a, also from the Wider Circle of the Nikosthenes Painter but rather rough (ARV2 135 [a]; Addenda 177). ... Wider Circle of the Nikosthenes Painter (ARV2 133, 9). |
Floor fragment. Max. dim. 0.715; est. diam. of tondo 0.11.
I, satyr (most of filleted head, right shoulder, and upper part of right arm, a little of right thigh) reclining to left, chest frontal, head ... Ca. 510-500 B.C ... Probably by a painter from the Wider Circle of the Nikosthenes Painter. |
Floor fragment with stem. Two incised lines to simulate fillet. Max. dim. 0.073.
I, woman (head, both feet missing) seated to right, holding a nude male child (head missing) in her outstretched arms ... Ca. 510-500 B.C ... The lively, but rather rough, drawing bears some similarity to that on two cups by one hand, a painter in the Wider Circle of the Nikosthenes Painter: Boston, M.F.A. 08.30a (ARV2 135 [a]; Addenda 177) and Berlin 1964.4 (ARV2 1700; Paralip. 334; Addenda 177). |
Floor fragment. Max. dim. 0.075; est. diam. of tondo 0.09.
I, figure (drapery) reclining to left. In the glazed exergue below the couch, part of an imitation inscription:
Reserved line for tondo border ... Ca. 510-500 B.C ... The best parallels for 1536 seem to be these two tondi: Louvre CA 1585, connected in its potting with Pamphaios, but otherwise unattributed (ARV2 131, ---; Addenda 177); once Basel Market, roughly connected to the Wider Circle of the Nikosthenes Painter (ARV2 134, 9). |
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